Since we had some Lydian keys this year, and Lydian is technically a major mode, I lumped these songs in with the major column — above, at least. Below you can see these separated out.
A common misconception is that 808s have to be low and boomy, even when you’re writing. You can often make things easier on yourself by writing them in an easier-to-hear octave, then shifting them down once you’re happy with your note choices.
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
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In a nutshell, mastering incorporates all of the audio work done on the master output from a mixed song or album. While originally intended as the mechanical preparation step for putting music into its final media format for playback, mastering later began to include additional post-mixing audio enhancement work in order to optimize the sound specifically for the various intended playback formats (ex: vinyl, CD, digital, etc.).
The addition of the F# in the Melodic Minor scale, makes things slightly more complex (if that was even needed at this point!). This time, we would have to work out the names comparing the scales to their most similar mode. For example, there is little point in comparing the fourth mode built on A Melodic Minor scale to an Ionian scale. It is much more similar to a Lydian mode, since it comprises of the note F#. The G# at this point, makes it a C Lydian (Augmented fifth).
It is said that Dragonetti influenced Beethoven’s composition deeply, reorienting the composer’s eye toward making more creative use of the double bass in how it interacts with the rest of the orchestra. As for his own composition, he really took it upon himself to expand the repertoire for double bass, having written dozens of short works for double bass and piano, string quartets, as well as a sort of “instruction manual” with exercises and studies for the instrument!
News Flash: The majority of the music industry is shallow and appearance driven. This applies especially to women. You’ll be hard-pressed to find a successful female pop singer who doesn’t fit a particular body image or age window for most of music history, sadly. For these reasons, the story of Susan Boyle is pretty incredible.
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Carter Lee is a bassist/educator/producer. He is originally from Edmonton, Canada and now resides in Brooklyn, NY. In addition to leading the hip-hop group, Tiger Speak, Lee is the music director for the bands of both Shea Rose and Moruf. He is also a sideman for countless other artists. Carter brings his wealth of experience in many different musical situations to the Soundfly team and is eager to help any musician who is hoping to better their band. Check out his course Building a Better Band on Soundfly today!
The art of songwriting is a noble one. The task of storytelling through music, whether fictional or inspired by events in one’s life, is challenging and rewarding. But all delusions of grandeur aside, songwriting can be a real pain, especially when deadlines, stress, and writer’s block come into the picture. Whether you are writing music by yourself for a project, collaborating with your bandmates for your next release, or composing for another artist or a soundtrack, writer’s block can, at best, slow you down and make you question your creative abilities and, at worst, make you wonder if you’ve reached your artistic peak and question your entire career. If you find yourself experiencing these negative doubts about your songwriting, here are four steps to consider while you try to escape writer’s block.
The following post comes directly from Soundfly’s mentored online course, The Art of Hip-Hop Production. Learn the nuances of producing beats, arranging tracks, and creative sampling, drawing on the rich history and influence of hip-hop. Free preview here.
“Sunflower”: Sneaking into the last week of Top 5s for 2018, we have a consummate “B-side” to the other Post Malone songs on this list, with a short and sweet form — except for the fact that each singer’s verses use different melodies and lengths. And since we’re talking about lengths, the loop here is eight bars long, not your usual four. This makes it easy to chop in half for the shorter second verse, as well as the shortened outro.