“I worked with Jeff in earlier sessions of Introduction to the Composer’s Craft and the Headliners Club. He has a beautiful perspective and really seems to look at his music from multiple angles. In addition to writing music, Jeff is a gifted photographer, and that comes through when you listen to his work. In the composition course, we discussed the foundations of writing music — things like form, tonality, etc., and then went on to develop his artistic voice during a follow-up session of the Headliners Club.
Firstly, the consensus among considerable and devoted fans of the group is that the Roland SH-101, Yamaha AN1x, and the Akai S1000 are the most likely hardware cornerstones of the pair’s sound. Beyond reliance on these units to generate sound, the recording platforms are also key.
Explore our wide array of free online courses and expand your musical skills and gain a competitive edge! Here’s just a few: Theory for Bedroom Producers, Touring on a Shoestring, How to Get All the Royalties You Never Knew Existed, and Crowdfunding for Musicians.
To see many of these techniques in action, plus more, I’ve created a short vignette in Ableton Live using stock instruments and plugins. If you don’t have access to Ableton, I can recommend Helm, Synth1, and the free products from Togu Audio Line as good starting points for your synth adventures. Happy LFOing!
Focus: Finish this track, and begin to develop a live performance setup around it.
Between Monday and Friday, we’ll be posting new content pertaining to home recording and getting the most of our your time spent making music domestically. Follow our blog and subscribe to our newsletter, Soundfly Weekly, to stay informed and read everything going live next week and beyond.
Dub music producers like King Tubby and Lee “Scratch” Perry played the Space Echo almost as if it were its own instrument. On Augustus Pablo’s song “555 Dub Street,” Lee Perry uses the Space Echo on the melodica and turns what most consider a harsh, uninviting instrument into something lush and layered.
Music data has a similar problem. As such, it’s impossible for any digital catalog owner, to know exactly what music they have in their database. Without knowing what music you have or what new music you’re adding — your recommendation, discovery, and curation will always suffer.
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Your booking emails should be simple. I’ve found that a 1000-word email extolling the values of the bands, your booking skills, and how amazing and exciting the show will be often go unread. Talent buyers get hundreds of emails a day so something simple and concise is the way to go. Feel free to use these templates and change them accordingly:
All of our mentored online courses come with six weeks of 1-on-1 professional support and feedback on your work. It’s like having a personal trainer, but for music! That means you’re not just getting the course content, but a coach to bounce ideas off of and someone invested in your success. Check out our courses such as Songwriting for Producers, Beat Making in Ableton Live, and of course The Art of Hip-Hop Production, and preview any or all for free!
In a nutshell, mastering incorporates all of the audio work done on the master output from a mixed song or album. While originally intended as the mechanical preparation step for putting music into its final media format for playback, mastering later began to include additional post-mixing audio enhancement work in order to optimize the sound specifically for the various intended playback formats (ex: vinyl, CD, digital, etc.).
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Yet, just because somebody with deep pockets purchases something for an exorbitant price, doesn’t guarantee that it will be widely-accepted as a work of art. There have been numerous forays into “fine art” for pop musicians as of late, some of which, in hindsight, were nothing more than marketing stunts to sell more mass-produced album copies.